James McPherson's Media & Politics Blog

Observations of a patriotic progressive historian, media critic & former journalist


  • By the author of The Conservative Resurgence and the Press: The Media’s Role in the Rise of the Right and of Journalism at the End of the American Century, 1965-Present. A former journalist with a Ph.D. in journalism, history and political science, McPherson is a past president of the American Journalism Historians Association and a board member for the Northwest Alliance for Responsible Media.

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“W” and “An American Carol”: losers left and right

Posted by James McPherson on October 11, 2008

Two politically oriented films have been released just before the election. One has an obvious liberal bias, the other an obvious conservative bias. Interestingly, these are entertainment films, not documentaries along the lines of “Farenheit 9/11” or the equally slanted ABC miniseries “The Path to 9/11“–which means their success will be determined as much by box office dollars as by political influence.

Oliver Stone, who has done some very good films (“Platoon,” “Born on the Fourth of July,” “Wall Street,” “World Trade Center“) and some bad history (“JFK” and “Nixon“), tells Maxim that his latest film, “W,” is being released this month not to influence the election but “because Bush is still around.” He also questions his potential influence: “I did three Vietnam movies, and what good did they do? People still lined up in support of the Iraq War. People don’t remember. It shows you the futility of what we do.”

The other film is largely an attack on Michael Moore, the creator of “Farenheit 9/11” and “Sicko.” The new film, “An American Carol,” is produced by another well-known filmmaker, David Zucker (“Airplane!” and “The Naked Gun,” from back in the day when we thought O.J. Simpson was funny). Zucker, who in 2004 produced anti-John Kerry ads, and who in an interview with the neoconservative Weekly Standard compares Barack Obama to “a really clever virus who adapts”–says he hopes his film will persuade people to vote against Obama.

That seems unlikely. In fact, neither film is doing particularly well, despite the unpopularity of President George W. Bush or the heavy promotion on Fox News for “An American Carol.”

Early reviews of “W” from Variety (an “unusual and inescapably interesting” movie that “feels like a rough draft of a film it might behoove him to remake in 10 or 15 years”) and Hollywood Reporter (“a bold but imperfect film about an imperfect man”) are obviously mixed. And it seems to me late-night TV hosts have skewered the president pretty thoroughly. Besides, watching the real Bush flounder is bad enough–and no longer particularly funny, considering the state of the nation thanks to the Iraq War and the economy.

Of course conservatives quickly and ludicrously complained that liberal bias and “ticket fraud” (?!) were keeping “An American Carol” from doing well, but judging by the preview, I suspect that the primary problem is the combination of unsubtle political commentary combined with even less subtle juvenile slapstick humor. It is notable that the filmmakers refused to release the film for critics, usually a sure sign that the filmmakers know they have a dud on their hands (though in this case they spun it as a defense against liberally biased critics).

It’s difficult to imagine whom “An American Carol” is trying to reach. After all, most of the college-age males that the preview seems to want to engage likely will turn to something equally goofy, but which also offers the prospect of nudity.

Young people look for Adam Sandler and David Spade, not Kelsey Grammar and Dennis Hopper, and for Angelina Jolie rather than her father, Jon Voight. And even moviegoers who like Kevin Farley, the film’s star, want to laugh with their lovable losers, not at those losers, and they want to see their heroes win in the end. That doesn’t happen here. Instead–ironic spoiler alert–the end of the film apparently has the character intending to do a new, more accurate version of “JFK.”

Older audiences need a stronger reason to go watch a film than do older audiences, and I can’t see Farley being such a reason. The film is broadly obvious–and therefore uninspiring–in its intent, and apparently lazy in execution. And anyone who wants to see Bill O’Reilly acting stupid can do so five nights a week on television; there is little reason to pay 8 or 10 bucks to do so.

This won’t be an election turned by film fiction, or even by based-on-a-true-story depictions offered in movies (or in political ads, for that matter). The fact that soon perhaps no one will be able to afford to go the movies, anyway (though escapist entertainment films were popular during Depression), will play a much bigger role in the probably election of Barack Obama. By then you’ll probably be able to check out both of these films on video.

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2 Responses to ““W” and “An American Carol”: losers left and right”

  1. pacer521 said

    great review. I’ve been wanting to see W. Is it R?

    here’s a post you’d find interesting from the looks of your blog — great job by the way.

    http://culturedecoded.wordpress.com/2008/10/10/barack-obama-and-the-party-that-cant-lose/

  2. […] as well as more than a bit self-aggrandizing), and apparently the film is riveting. But like so much else in Hollywood, it’s also a lie. Aren’t we stupid enough about our history without […]

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